![]() Resource areas and comfortable seating have also been integrated into the space. There is now a larger space-Gallery One-featuring works on paper and photography, and the contemporary art galleries incorporate decorative arts and works on paper along with paintings, sculpture, and film and video pieces. In both 20, the Scaife Galleries, home for many of the paintings, sculptures, works on paper, and decorative arts in the museum’s collection, reopened after yearlong renovations. Many of these images have been catalogued and digitized and are available online via the Teenie Harris Archive. The museum continues to work with a Teenie Harris Advisory Committee to identify the photographs. In 2001, the museum acquired the archive of African American photographer Charles “Teenie” Harris, consisting of over 70,000 photographic negatives spanning from the 1930s to the 1970s. The Heinz Architectural Center, opened as part of the museum in 1993, is dedicated to the collection, study, and exhibition of architectural drawings and models. In 1994, the museum completed a reinstallation of its pre-1945 American and European fine and decorative arts that combined them in a single chronological sequence. Over the past century, the museum has amplified its scope of interest to include decorative arts and design, photography, film and video, Asian art (notably Japanese prints), and African art. Learn more about the Carnegie International. ![]() Presented every three to five years, it features works by contemporary artists from around the globe. Early acquisitions of works by such artists as Winslow Homer, James McNeill Whistler, and Camille Pissarro laid the foundation for a collection that today is distinguished in American art from the mid-19th century to the present, in French Impressionist and Post-Impressionist paintings, and in significant late-20th-century works. Today the International remains an important source for the museum’s acquisitions of contemporary art. Carnegie, thereby, founded what is arguably the first museum of modern art in the United States. While most art museums founded at the turn of the century focused on collections of well-known masters, Andrew Carnegie envisioned a museum collection consisting of the “Old Masters of tomorrow.” In 1896, he initiated a series of exhibitions of contemporary art and proposed that the museum’s paintings collection be formed through purchases from this series. The museum’s name was changed once again in 1986 to its current name-Carnegie Museum of Art-to more clearly show its relationship as one of the four Carnegie Museums (which includes Carnegie Museum of Natural History, Carnegie Science Center, The Andy Warhol Museum. Just two years later, the Bruce Galleries and the Heinz Galleries were opened to house the museum’s decorative arts collection and major changing exhibitions, respectively. The size of the gallery space was tripled in 1974 with the opening of the Scaife Galleries, the second major expansion of the Institute’s original building. The museum’s name remained the same until 1963, when it was officially changed to Museum of Art, Carnegie Institute to help distinguish it from the nearby College of Fine Arts at Carnegie Institute of Technology (now Carnegie Mellon University). The first major expansion to the building on Forbes Avenue in 1907 provided space for Carnegie’s growing collection of dinosaur fossils, as well as the Hall of Sculpture and the Hall of Architecture. Originally known as the Department of Fine Arts, Carnegie Institute, the museum’s first art gallery was dedicated for public use on November 5, 1895, and was initially housed in what is now the Main Branch of the Carnegie Library of Pittsburgh. Andrew Carnegie, from his 1895 dedication speech for Carnegie Institute Founding & Name Changes ![]() “Let us hope that the pictures exhibited here from time to time will be of all schools, and reach both extremes-the highest critic and the humblest citizen.”
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